BRING BACK BRITISH RAIL?

On Monday I was interviewed on Clifton Down Station in Bristol for a YouTube video. It was commissioned by FoSBR (Friends of Suburban Bristol Railways) in connection with a campaign called “Bring Back British Rail”. It is so-called because many people now believe that the only way to get decent and affordable rail services in this country is to put the railways back in public ownership.

The Economist magazine was, I believe, the first to reveal that although our rail-fares are the highest in Europe, the level of public subsidy is nonetheless  five times higher (inflation adjusted) than it was before the railways were privatised. It is now £5bn per annum. That is outrageous, surely. (unless you own shares in one of the Train Operating Companies to which we grant regional monopolies)

Anyway, my small contribution to this video was to relate a frequently problematic suburban rail journey I used to make here in Bristol, when I would try and travel the short distance from Clifton to my job in Ashton Vale on the other side of the city. Three miles maybe? It sometimes took an hour and a half because of inconvenient or non-existent connections; or late or cancelled trains. It never took less than 45 minutes; in fact I could walk it faster. By car it took only 15 minutes. I rest my case.

When the video is finished I’ll post it here.

That same evening, I attended a fascinating transport debate at the Colston Hall, hosted by Bristol Civic Society. I was intending to make a separate post about that but judging by the amount of expertise and strong views on display I am sure there will already be plenty of coverage in the blogosphere.

Much of the discussion was on bus services and the most depressing fact was the admission that the local authority has very little power on a range of issues, as 90% of the bus services are provided on a commercial basis by the virtually monopoly provider First Bus, who pay lip service to consultation and then do exactly as they please. A wag of a local journalist once described them as “Worst Bus”; but I didn’t say that.  (“You might very well think that. I couldn’t possibly comment”, as has famously been said on many occasions)

Interestingly I have often travelled on buses owned by First Bus in London but there the situation is totally different, in that they don’t have a monopoly. As far as I can understand it, Transport for London tells the bus companies what to do. How different from the situation in our fair city; but according to statements from the Colston Hall platform that’s a situation we are stuck with due to the differences between regulation in the two cities.

 

WANT TO KNOW MORE?

The Bring Back British Rail organisation was formed to campaign for publicly-owned railways. Their promotional material says they intend to “learn from the mistakes of BR of the past, remind the UK of the broader services that were available and the virtues of public ownership, and form a new, integrated rail system with a progressive, participatory structure”. www.bringbackbritishrail.org

Friends of Suburban Bristol Railways (FoSBR) campaigns for improved, integrated and sustainable local rail services in the Bristol area and for the reopening of closed-down passenger lines such as Bristol / Portishead. www.fosbr.org.uk

RETURN OF THE BRISTOL CULTURE-VULTURE

I have been reminded that your previously devoted and (mostly) assiduous Cultural Attaché has been silent for a while. This digest of one-liners is an attempt to reverse that shameful trend.

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Health & Safety warning: I make no claims of objectivity. The items listed here are simply those I fancy.

All events are in Bristol (that’s the UK one) unless otherwise stated.

*****

NOVEMBER

9th                    ConnectOne exhibition preview at the Create Centre, 5-8 pm. Includes work by Angie Kenber, who’ll be there from 6 pm.

until 10th           “The Ides of March” (film) at the Watershed, Harbourside. I don’t normally plug movies but this one is on my personal wish-list! 0117-927-5100

10th                   Hot Club of Cowtown at St George’s Bristol, 8 pm.

0845 40 24 001

11th                   Kirris Revere Blues Band: music for dancing at the South Bank Club, Dean Lane, Southville. No other info available at this time.

12th                   Carmina at Colston Hall 2, 8 pm. 0117-922-3686

14th                   Lilian Boutté at the Coronation Tap, Clifton, 9 pm

 14th-16th            “A Clockwork Orange” at the Tobacco Factory, Southville, 8 pm. I’ve never seen a stage adaptation of that ground-breaking novel; probably worth a look! 0117-902-0344

17th                   Denny Ilett & Ruth Hammond at Rainbow Café, Clifton. Dinner show, so booking essential: 0117-973-8937. Further details on Facebook.

20th                   The Randy Swindlers at the Coronation Tap, 4 pm

24th                   Jeremy Paxman at the Watershed, Harbourside, 1 pm: “Empire: what ruling the world did to the British”. A Festival of Ideas event.

www.ideasfestival.co.uk

26th                   “Hannah’s Concert”, charity event at Tockington Manor School.  Buffet; music by Chimera featuring Ruth Hammond and special guest Pete Josef. jenny.king@edgecumbe.co.uk

27th                   Instant Wit improv comedy at The Brewery Theatre, North Road, Southville, 7.30 pm. 0117-902-0344

30th                   Steeleye Span at St George’s Bristol, 8 pm. 0845 40 24 001.

DECEMBER

3rd                    Chumbawamba at the Folk House, Park Street. 07855 826 228.

 

BACK IN HARNESS

Both of my regular readers will have noticed that I’ve been totally silent for two weeks. That’s because I’ve been on holiday; a wonderful holiday in Italy, if you’re interested. (first Apulia, then Rome)

I could have blogged from my Blackberry but (a) I decided not to pay my service provider’s charges for overseas roaming or whatever they call it; and (b) I also decided that the world could do without my dubious pearls of wisdom for two weeks.

But I’m back in beautiful downtown autumnal Bristol today; truly a season of mists and mellow fruitfulness. So stand by your beds, metaphorically speaking, because there will be some important stuff coming soon on this blog. Important to me, anyway.

RUGBY WORLD CUP: A TRANSFER MARKET SHOP-WINDOW?

I’ve been watching lots of the Rugby World Cup over the past couple of weeks and i suspect I shall be watching more as the competition gets “down to the wire”, i.e. the knockout phase. I’ve seen some great matches. My only problem is that I booked a holiday to Italy in mid-October and we’ll be there while the semi-finals and final are being played. Even that’s not a problem though; we’ll be visiting my Welsh cousin and her Italian husband of 25 years and I know they are both keen rugby fans; televisual access will be available, I am sure.

This morning I told myself that I would do some work and not watch Japan vs Tonga, as those two are very much the also-rans in a group containing New Zealand and France. However, my resolution was weak and I switched on for ten minutes just before half-time. What did I discover?

JAPANESE IMPORTS, NOT EXPORTS

I saw a try for Japan, by one Michael Leitch. Also in the team were Sean Webb and James Arledge, though I might have got the latter’s name slightly wrong. Anyway, all three were clearly imports, under the rule that allows rugby players to qualify for their adoptive country by virtue of a couple of years’ residence.

GRANNYGATE

Yes, I hear you say, but this is hardly new. Years ago, Wales fielded several players who had been born and brought up elsewhere but had a a Welsh grandparent, giving rise to the term “grannygate”. Shane Howarth was, I think, the first player to get a cap for Wales under this rule.

EARLIER IMPORTS

However, the game moved swiftly on. Players with no family connections were registered under the residency rule. I recall France fielding a centre called Tony Marsh. Not a French name, that, you might say, and you’d be right. He was Australian and I think he was one of the first to benefit from the residency rule.

Nowadays, it’s gone crazy. New Zealand has for years been poaching players from the Pacific Islands and I am pretty sure I heard today’s commentator refer to one of the Tongan players having been brought up in Australia. So the deal is this; if you are one of the top players in a second-tier country, then you might welcome being poached by a top nation. If, on the other hand, you were born and brought up in a top country, say NZ, but are not quite good enough to make the All-Black team, then you could consider moving to another country so you can play international rugby. Thus we have two current England centres, Shontayne Hape and Manu Tuilagi, who are imports; a third centre, Ricki Flutey, also an import, was an England regular a couple of  years ago but didn’t make this World Cup. In the case of Tuilagi, he’s one of a family of top-class players and his brother is in this World Cup playing for Samoa. Wales too have Toby Falatao, whose dad played for Tonga, I think.

…AND YOUR POINT WAS …?

So where am I going with this? A good question.

Club football (that’s soccer, for any Americans reading this), as played in the English Premier League, is now at a higher standard than ever, mostly because clubs import from anywhere in the world. Players are an internationally traded commodity. But the England football team, although it has done really badly in big tournaments for years, does not “import” foreign players who might be good enough to play for England but are not good enough to get into their own country’s team. Is that because the rules forbid it? I’d love to know.

COUNTRY OR BUSINESS OR FRANCHISE?

In international rugby it’s so different. If I’m right,  soon the labels England, Wales etc, will be no more than that: labels for a business, a franchise, that buys the best players it can afford, in order to play against other “countries”, most (but not all) of whom work on the same principle.

Sometimes, however and joyfully, the extra passion engendered by players inspired by playing for their country (note that my non-cynical side dropped the quotation marks there) will help them to prevail over a team that’s stronger on paper.

… BUT IS IT CRICKET?

Cricket has been going this way for ages. A few years ago, England won a one-day cricket world cup; don’t ask me if it was the t20 or the 50-over, as I am not a fan of The Pyjama Game, as I call the short variants. Call me old-fashioned if you like. Anyway, a wag of a journalist summed it up as follows: “Our South Africans are better than anyone else’s South Africans. They are better than South Africa’s South Africans. And if Australia wants to start winning at cricket again, they had better find themselves some good South Africans too.”

I rest my case … whatever it was.

 

ANOTHER BRISTOL CULTURE-VULTURE

I’ve been reminded that your cultural attaché has been silent for a while. To correct that situation, here’s a selection of items I favour.

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STOP PRESS: TODAY! (Sun 28 Aug) at the Coronation Tap, from 12 midday. MINI-FEST in support of the Charlie Derrick Bursary.

Jan Gale at the Cori says: “It’ll be a day packed absolutely full of sensational performances by hugely talented musicians from Bristol, exciting newcomers from London, and very special guests who are all giving their time to raise awareness of and support for this very special cause.

“There’ll be plenty of CoriTap ciders and a scrumptious buffet”. [The latter is supplied, by the way, by the world-famous Rainbow Café]

Ffi: www.thecoronationtap.com for the lineup, also www.footprint.org.uk. This is a wonderful cause.

*****

Thurs 1 Sept at View Gallery, 159-161 Hotwells Rd: Postcard Art Auction in aid of The Prince’s Trust.

6 pm for 7; complimentary ale, wine and cheese.

*****

Sat 10 Sept, all over Bristol: Doors Open Day. Vultures of long standing will know I am a fan of this:  http://www.bristoldoorsopenday.org/

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11 & 12 Sept (Sun / Mon) at the Brewery Theatre, “Telling Tales of Drunkenness, Cruelty and OFSTED”

A one-man show by former professional actor (ex-RSC), teacher and poet Tony Rowlands. Music by the Henri Passat Band, with vocals by my daughter Madeleine.

8 pm, 291 North St, Southville, Bristol BS3 1JP. Tickets via the Tobacco Factory Box Office: Tel 0117-902-0344, or go to: http://tobaccofactorytheatre.com/shows/detail/telling_tales_of_drunkenness_cruelty_and_ofsted/ .

 

*****

Thursdays throughout September: music at the Rose of Denmark, Hotwells, Bristol. This is a newish innovation as a regular event and it’s being programmed by the ubiquitous and brilliant Pete Judge. Some of our faves in Sept: Dave Griffiths with Brejeiro; Jim Reynolds with Gina Griffin; John Pearce with Dave Newton; finally Moscow Drug Club. Sounds good!

*****

Fridays throughout September: music at El Rincon, North Street, Southville, Bristol (that’s opposite the Brewery Theatre; see above). Note that gig times are still 8-10pm sharp and the bar has to close at 10pm too!

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… and for poetry fans:

Sat 17 September, midday to 3 pm: TWENTY POETS PERFORM at Bristol Central Library, Cafe Area. They will be reading their own work for slots of either 5 or 10 minutes.

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Finally: you may well be aware of Bristol University’s Public Engagement programme. I’ve just received a weblink that’ll take you to their September calendar:

<http://bristol.ac.uk/public-engagement/pdfs/whatsonguide.pdf/>

*****

Finally finally: REMINDERS DEPARTMENT. Items already mentioned in an earlier edition of The Culture-vulture

September

5-7        “Acting for camera”: one of several short courses at Bristol Old Vic Theatre School throughout the summer. http://www.oldvic.ac.uk/short-courses.html

8 “TEDx Bristol” at M Shed. Don’t know about TED? You are missing out! This Bristol version is an innovation. See link: http://tedxbristol.com/about .

11-12        “Telling Tales of Drunkenness, Cruelty & OFSTED”, at the Brewery Theatre, 0117-902-0344. One-man show by Tony Rowlands (Buckingham in Richard III at the Alma). Music by the Henri Passat Band, featuring my daughter Madi. (Several people have asked me to remind them, so here it is!)

17         The Unthanks / Brighouse & Rastrick Brass Band at St George’s Bristol. I gotta hear the “Briggus” and anyone who loved “Brassed Off” will too. 0845 4024001

“Bewitching, dream-like, down-to-earth … music as tough as it is gentle, as ancient as it is modern, as coldly desolate as it is achingly intimate … joyous, virtuous and luscious un-folk” (The Observer)

30         “Recession” Fashion Show at the South Bank Club, Dean Lane, Southville, Bristol.

 

RYANAIR: “PAYING FOR PAYING” IS OK

 

Good old Ryanair! If that particular budget airline didn’t exist, bloggers and stand-up comics would have to invent it. Those guys provide rich pickings, mostly for the ludicrous way they boost their low “headline prices” through add-ons. It’s not the fact of the add-ons (sorry, I nearly called them surcharges, which would have been a mistake, as you’ll learn if you read on); because we are not stupid enough to think we really can be flown to Malaga for 50 pence; or even the amount. It’s the way they are added right at the end of the purchase process; the old inertia strategy.

The end of the purchase is the point when you have spent so long wading through their booking process that you have almost lost the will to live; and then you feel what the hell, you must have a holiday at any price.

Ryanair boss orders a pint

The likeable Scottish comedian Fred MacAulay has a great routine  in which he says he’d like to become a barman in Ryanair CEO Michael O’Leary’s local pub: “Pint of Guinness, Michael? That’ll be £1.49. Yes, I know, it seems cheap, doesn’t it? But did you want it in a glass? That’ll be another punt. Did you want a head on it? That’ll be another punt. So you think that’s £3.49? Ah, but did you book it online?”

(I’ve heard other versions of this story, by the way, but it’s the way Fred tells ’em)

OK, I know, they use euros in Ireland nowadays, not punts, but I think the story sounds better this way. And, as they used to say at the News of the World, never let the facts get in the way of a good story.

Ryanair contempt

Not just their policies, but also their public pronouncements, show Ryanair’s total contempt for their customers, for the media and for consumer watchdogs.

The title of this post is borrowed from an article by Rebecca Rutt in the August edition of “Moneywise”. Her title was “An end to ‘Paying for Paying’ “ and she talks of the Office of Fair Trading (OFT) having agreed in July to stop travel companies charging people who pay by debit card. Charging for the use of a credit card is common enough; but to charge for using a debit card might prompt one or both of the Mitchell boys (from East Enders, if you need to know) to ask: “You’re ‘avin’ a larf, ain’t yer?”

A very recent article (9 August) in the Guardian says that the European Commission has decided to investigate this area. Well, maybe.

Ryanair’s sense of humour

And of course “avin a larf” is what Ryanair likes to do; at the expense of its customers and everyone else. Earlier this year, the consumer magazine “Which” lodged a “super-complaint” about this card charge issue but they made the cardinal error of using the word “surcharge”. Here’s the response of Ryanair’s “spokesperson” Stephen McNamara: “Before making super-duper complaints the clueless clowns at ‘Which, Who or What’ magazine should conduct some basic research. Ryanair doesn’t levy any credit or debit card payment ‘surcharges’ “

Of course he’s right … and so are the people at Which. Ryanair calls them administration fees. And if the OFT, or the EU, ever manages to pass any legislation outlawing them (don’t hold your breath and I don’t think it’d be worthwhile), why, they’ll just call them something else.

BA cheaper than Ryanair?

Last week I booked a flight within Europe. So I checked out all this stuff in detail, to the point where I too almost lost the will to live. Ryanair and BA were two of the options, so I went right through the details and terms and conditions. Of course the Brisith Airways headline fare was double Ryanair’s but with BA there were no surcharges, admin fees, supplements etc. When those were added on, Ryanair’s total fare was higher than BA’s.

Guess which airline I booked with … despite my Irish heritage? And do you imagine I’ll get better service when I get on board the BA, compared with the take-it-or-leave it attitude of Ryanair? No prizes for guessing.

P.S.

Last night, on BBC2’s excellent “Newsnight Review” I saw a live performance of a brilliant song I’d heard before, by Fascinating Aida. That reminded me that they had already said it all about this subject with this song. Here it is, with subtitles in case you might have difficulty with the Irish accents. It’s a must-watch! Click here

WANT TO KNOW MORE?

Checked baggage fees: Yes, dear reader, as I said above, I nearly booked a Ryanair flight last week. After wading through the 12 different categories of baggage fees, I found that the average cost was  about £30 per bag per flight. So, for example, as a couple with just one bag each we’d have paid an extra £120 for the round trip.

Administration Fee (‘paying for paying’): Ryanair’s website says:  “This fee is charged per passenger/ per one way flight and relates to the costs associated with Ryanair’s booking system. No administration fee applies to bookings paid for by MasterCard Prepaid Debit Card.”

Well that’s all right then; it’s not a surcharge, it’s a fee. When they say “costs associated with ….” at least they don’t make the unjustified claim that their internal costs are anything like the £6 they charge. “Doesn’t seem like much, does it Michael?” … till you find it’s per passenger per one-way flight, even if you make one card transaction for two or more people, round-trip. Sneaky? underhand? I’d say contemptuous.

Yes, I know, some rail booking sites also charge fees for using credit cards (common enough) and debit cards; but in my experience they are smller and they are per transaction, which is more logical.

I was in business long enough to know the old saying “cost is a matter of fact; price is a matter of policy.” So Ryanair charge a greatly inflated “admin fee” because they want to and because they can.

Also from Ryanair’s site:

4.2.2 Taxes, fees and charges imposed on air travel are constantly changing and can be imposed after the date that your reservation has been made. If any such tax, fee or charge is introduced or increased after your reservation has been made you will be obliged to pay it (or any increase) prior to departure. Similarly, if any such tax, fee or charge is abolished or reduced such that it no longer applies to you, or a lesser amount is due, you will be entitled to claim a refund of the difference from us.

(Note: “you will be entitled to claim” …. that’s if you happen to find out before the time limit we specify. Could we at Ryanair credit your card account automatically, if this happens? In your dreams, sunshine.)

The Guardian‘s article on EU investigation: http://www.guardian.co.uk/business/2011/aug/08/airline-cheap-ticket-offers-investigated?INTCMP=SRCH

Moneywise‘s article “Paying for Paying”: http://www.moneywise.co.uk/news-views/blogs/rebecca-rutt/2011-06-30/the-end-to-paying-paying

… and finally: that song again!

BRISTOL CULTURE-VULTURES’ BULLETIN

Loads of good stuff coming up in Bristol, as ever!

 

July (what’s left of it)

 

to 30     Bristol Shakespeare Festival, various venues. Your last three chances to squeeze in a play! www.bristolshakespeare.org.uk

29-31    Harbour Festival. “Bristol’s biggest annual cultural event and one of the largest free festivals in the country”.  I love it! http://www.bristolharbourfestival.co.uk/

This year the dreaded “paywall” syndrome hits the festival, so you have to buy a programme to get the programme, if that makes sense. Available at Colston Hall box office, M Shed Reception and Tourist Information Centre

 

August

4          Music at Rainbow Café: Pete Josef and Gary Alesbrook. Dinner and show £10; that’s hard to beat! Waterloo St, Clifton.

11-14        Balloon Fiesta: www.bristolballoonfiesta.co.uk for details or to book a car parking space in advance

… and …

The Corifest at the CoriTap, Portland Street, Clifton (their site says Sion Place but I’ve never managed to get in that way). Visit http://www.thecoronationtap.com/calendar.php for performers and running order.

to 26     Treasure Island; open-air production by the Old Vic. King Street. 987 7877

weekly  Music at the Rose of Denmark.

 

September

5-7        “Acting for camera”: one of several short courses at BOV Theatre School throughout the summer. http://www.oldvic.ac.uk/short-courses.html

8 TEDx Bristol at M Shed. Don’t know about TED? You are missing out! This Bristol version is an innovation. See link: http://tedxbristol.com/about .

10         Doors Open Day. I’ve been a fan ever since I arrived in Bristol seven short years ago.

11-12        “Telling Tales of Drunkenness, Cruelty & OFSTED”, at the Brewery Theatre, 902-0344. One-man show by Tony Rowlands (Buckingham in Richard III at the Alma). Music by the Henri Passat Band, featuring my daughter Madi. (Several people have asked me to remind them, so here it is!)

17         The Unthanks / Brighouse & Rastrick Brass Band at St George’s. I gotta hear the “Briggus” and anyone who loved “Brassed Off” will too. 0845 4024001

“Bewitching, dream-like, down-to-earth … music as tough as it is gentle, as ancient as it is modern, as coldly desolate as it is achingly intimate … joyous, virtuous and luscious un-folk” (The Observer)

30         “Recession”  Fashion Show at the South Bank Club, Dean Lane, Southville.

 

THE HABSBURGS AND FOOTBALL

Do have a look at this video! It’s yesterday’s highly impressive funeral in Vienna of the last heir to the Austro-Hungarian Empire, the former crown prince Otto von Habsburg:

http://www.bbc.co.uk/news/world-europe-14174891

I don’t normally post about this kind of event but I make an exception here; not so much for any historical significance but because it reminds me of a great and allegedly true story I was told years ago by a Swedish colleague (they do have a sense of humour, you know). I now know that the story must have been about this guy.

It’s on record that von Habsburg (who was born in 1912, six years before the end of the empire) was an MEP for several years. Apparently he went into the Parliament building a few years ago and found the chamber empty but lots of MEPs in the bars watching TV. Otto asked “what’s happening?” and was told everyone was watching an international football match.

“Who’s playing?” asked the former prince, evidently ignorant of such mundane matters as football.

“Austria – Hungary,” came the answer.

“Oh really? Against whom?”

***

You’ve heard the story; now watch the funeral!

IF YOU DON’T LIKE THE WEATHER IN BRITAIN, JUST WAIT FIVE MINUTES

My headline is not original. The phrase might or might not have been coined, but was certainly made famous, by Bob Hope. The comedian, an American citizen of course, was a native of Britain, so he was entitled to make a joke about our weather; a good joke too, IMHO.

I shan’t have a go at our weather; that would be pointless, although it sometimes seems that moaning about the subject is a national pastime. I remember many year ago, when I was running training courses in Scandinavia, one of the things people most wanted to talk about under the heading of “cross-cultural awareness” was what constitutes appropriate subjects for small-talk in Britain. This seemed to be a challenge for many Scandinavian businesspeople because there, in a business meeting, people tended (not always but generally) to get down to business immediately; they found our custom of verbal sparring through small-talk a challenge.

Well, the experts, and I am not one, say that the weather is rightly the #1 topic. That’s obvious to us but there is logic to it. Why? “Because it’s uncontroversial and it’s the same for everyone.” They might well have added that in Britain it’s worth talking about because it is so variable, as memorably pointed out by Bob Hope. If you’d been in the Sahara, on the other hand, and ventured the startling opinion that the weather was hot, it would be assumed that the sun had got to you.

No, my moan / whinge / rant is not about the weather but about the BBC’s feeling that we need to be given weather forecasts on a minute-by-minute basis, even when (and this is the key) those forecasts are, by virtue of programming time pressures, so short as to be meaningless. That’s leaving aside whether they are accurate. It’s not enough to have a full five-minute weather forecast a few times every day; useful for those who need to hear it and avoidable for the rest of us; my beef is with the assumed need to put frequent short weather forecasts into what are otherwise current affairs programmes.

Here’s an example, from BBC Radio 4’s “Today” programme, this very morning. That’s the programme of which I heard Sandi Toksvig (national treasure in both Britain and her native Denmark, I think) say, while speaking at a dinner here in Bristol: “The Today programme; isn’t it wonderful? Twenty minutes of news, crammed into three hours.” Well, whatever the truth of her witty description, the producers feel it necessary to give us weather forecasts regularly throughout the show. A show, I stress, that is going out on a national channel, to a country with weather that famously fluctuates not just from minute to minute (thank you again, Bob Hope) but from town to town.

This was the forecast, at 0830 this morning, and it was typical: “Now the weather! Well, mostly dry today. Sunny spells but there will be a few showers.”

I kid you not.

If the forecast had been important to me, I would have been so frustrated. I would have been asking, “Where, exactly, will it be like that? In London? In Scotland? Here in Bristol, where I live? And when exactly will it be like that? This morning? This afternoon? Or will it be like that the whole day?”

Why bother with such a short and generalised forecast?

And while I’m about it; the language. I recently heard: “the rain eases this afternoon.” I think you’ll find, as they say, that the use of the present simple to describe a future event is supposed (for those of us who are anal about language) to be reserved for so-called timetabled events, e.g. “our train leaves at five”. Future weather does not come into the category of a timetabled event.

Despite the expensive facilities, large staff and undoubted modelling expertise of our Met Office, described in a fascinating recent article in the FT, the implication of certainty is ridiculous. Why, why, why don’t we adopt the US habit of saying things like “there is a 40% chance of precipitation”?

I can handle that. If they’d said 60% I might take an umbrella; for 40% I won’t.

Meanwhile, I go back to my usual method of weather forecasting. I look out of the window. That works for me.

GOOD NEWS ON INFLATION: WELL, MAYBE

It’s always nice to have some good news on the economic front and today there was good news on inflation. The “favoured” CPI measure fell in June to 4.2%, having been expected to be 4.5%.

However, behind the headlines are some interesting facts. Weak retail sales have caused heavy discounting in some sectors; for example the price of video cameras fell, according to the BBC news today.

Whoa! Video cameras? I haven’t bought one of those for a few years; especially now that I have a smartphone that takes pictures, in common with about 75% of the population. Even back then, a video camera was hardly a regular and certainly not an essential purchase.

So how come video cameras apparently found their way into the “basket” of items on whose prices the politically-important inflation rates are calculated?

Answers on a postcard, please.